Cinequest 19 Screener
89 Minutes
Lionel Baier

Black and White. Stark. Covered with snow. Francois and his girlfriend, Christine have recently moved to a sort of backwards hamlet in the French-speaking part of Switzerland. He took writing classes in college and carries around a resume to show the printer of the local weekly paper. The man doesn’t need to see a resume. As long as Francois can write, he gets the job. One of his duties for the paper is to attend the weekly screenings held at the town’s only movie theater.

First up: LAST DAYS, the Gus Van Sant film based upon the final few days in Kurt Cobain’s life. Francois has no idea how to feel about the film. Does he like it or hate it or is he indifferent? He simply can’t answer. To be fair, LAST DAYS is not exactly and easy film to quantify. My first words about it in the summer of 2005: “I’ve had nearly a week to digest this. And I’m still not sure if it’s merely good or fantastic. It’s like watching a dream. People move about and do things without needing to push the plot along.

He comes across a magazine called “Travelling”, which is an incredibly high-fallutin cinema journal along the lines of FILM COMMENT or CASHIERS DU CINEMA. Rather than figure out his own thoughts on the film, he copies the published review word for word and turns it in as his own.

Luckily, not many of the townspeople are cinephiles and none of them have read “Travelling” so his secret is safe. However, the high-minded magazine doesn’t like any of the films that the single theater has chosen to show. He refuses to lower the bar on “his” reviews and is subsequently banned from the weekly screenings. So he takes it upon himself to drive into the cosmopolitan town of Lausanne where he attends press screenings with all the local critics. He begins believing that he is a great critic. There is an incredibly sexy critic named Rosa Rouge who is on to his game immediately, but would rather sleep with him and demean him than let his secret out of the bag.

Cue the Swiss-French sex scenes–in a theater, and hotel room, complete with chopsticks.

Francois at one point says, “I have no opinion on anything–I haven’t been taught to.” And that is the essence of the film. Francois is surrounded by critics with opinions and when he appears on an NPR-type radio show, the entire panel speaks except for him. Do the professionals really know more than the man who has nothing to say?

Robin Harsch (Francois) and Natacha Koutchoumov (Rosa) are a charismatic pair. She’s bratty and know-it-all. He’s a puppy dog with nary a thought in his head.

ANOTHER MAN (UN AUTRE HOMME) will be shown at Cinequest 19. Details here:



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2 Responses to “UN AUTRE HOMME”
  1. [...] Originally published at the MichaelVox Movie Review Blog [...]

  2. [...] sense of privacy exposes her thoughts, secrets, dreams, and body to an eager online readership 12-UN AUTRE HOMME (ANOTHER MAN) — Switzerland — Man with no opinions of his own becomes film critic in [...]

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Written by Michael W. Cummins