Archive for August, 2010

2010

August 14, 2010
Sneak Preview Cinearts Santana Row San Jose
USA
English
90 Minutes — August 27, 2010
Comedy / Drama / Romance
Rob Reiner [This Is Spinal Tap; The Sure Thing; Stand By Me; The Princess Bride; When Harry Met Sally...; Misery; A Few Good Men; The American President]

You Never Forget Your First Love.

There is not a single moment within FLIPPED’s 90 minutes that could possibly offend anyone. Except maybe people looking for a compelling story or strong acting or well-rounded characters. But language and subject matter and the blossoming of young love are done with such apple-pie restraint, that I hate myself for hating it.

Bryce Loski moves into a new neighborhood across the street from Juli Baker. Juli introduces herself and appears to be ready to spend the day with the new family before their moving truck is even unpacked. We are told the story almost entirely in voice-over. First Bryce gets to explain what happens, and then it flips (get it?) and Juli tells us the same story from her point of view.

Bryce is played to an almost unbearably bland level by a kid named Callan McAuliffe, whose sole qualification seems to be his blond hair and skinny frame. Why Juli likes him, we cannot speculate. Juli, on the other hand, is equally attractive, but is at least given a back story and a personality which Bryce is sorely lacking. Juli is a spitfire, she isn’t afraid of what other people think, she mounts a tree sit-in 40 years before Julia Butterfly Hill will do the same thing up in Humboldt. Juli is played with a smile and energy by Madeline Carroll, whose list of credits dwarfs McAuliffe’s.

This romantic mis-match continues to their respective families. Bryce has an older sister and snobby parents played by Anthony Edwards and Rebecca De Mornay. Edwards’ character is seen with a constant scotch in his hand and a negative word for everyone, while De Mornay doesn’t appear to do anything. The one bright spot in the family is Bryce’s grandpa, played by John Mahoney who seems to figure out how great Juli is before the rest of the family does.

Juli has twin brothers, a hard-working mother (Penelope Ann Miller) and a bricklayer father, who spends his free time painting, well-played by Aidan Quinn. There is also an uncle who is in an expensive institution, which explains why the Bakers, gasp, rent their home and don’t own it like the self-respecting Loskis do. Dismissed as hillbilly dreamers by the Loskis, the two families don’t interact. But the Bakers are seen singing at the dinner table, raising eggs in the backyard, and being loved, while the Loskis argue and suffer the rage of Edwards’ character. And we suffer right along with them.

The plot is as follows: Girl sees boy move in, girl stalks boy, boy avoids girl for five years, boy realizes that she’s pretty great, girl now hates boy, boy apologizes for being a dickhead, hands are held. The end.

As I’ve mentioned, though, the girl’s affections are something worth fighting for, while the boy is a blank-staring guy with obnoxious friends.

The voiceover stuff is necessary to move the plot along, but it tries to put us in the mindset of every other, and much more well done, nostalgic film we’ve seen. The Richard Dreyfuss stuff in STAND BY ME, a much better Rob Reiner film, did this in a great way. Much of the praise for that can be leveled at Stephen King, a man who has had some success in the publishing arena.

But FLIPPED has too much voice-over and then we have the other character voice-over us a bit more. There is also a big problem with what they’re saying. They are speaking at a level of clarity and self-awareness (and vocabulary for that matter), that no 13-year-old could possibly handle. Not for a second did I think these characters were doing the talking and not some older writer or director.

The side-trip to see the retarded uncle was painful. It is nearly impossible to play mentally challenged (as Robert Downey, Jr. explained in TROPIC THUNDER), and this was no exception. Wait until you see what happens when he drops his ice cream cone. Oy.

There is a 15-minute meaningless sub-plot about the eggs that Juli’s hens are laying in her backyard. Two neighbor women begin paying her for several dozen eggs a week and she gives Bryce’s family some for free as a thank you for past niceties. During a meal, the Loski family begins by being thankful of the eggs, and then with Bryce’s help, by the end of the meal they’ll all be convinced that there is either an embryo or salmonella hiding under each shell. This leads to throwing them out, but still accepting them from Juli on a regular basis.

Quinn and Carroll are very good in their roles, Mahoney does the best he can, but the rest of the cast is not given much to work with. Edwards, especially, is never seen smiling, yells at his kids at the dinner table for seemingly no reason, and harbors preconceived notions about just about everyone he comes in contact with. His role is thankless.

After watching this, I’m convinced that TOY STORY 3 should be the film with a PG rating and this one should have eliminated one utterance of “asshole” and been the G-rated family film that it’s trying to be.

One side-note. Pay attention to the Bryce’s lawn and parking strip. When shot from Juli’s house, the strip is clearly covered in dark-green astroturf, while the lawn appears to be real. Then the strip is magically back to normal, then turf, then normal. If there’s a symbolism there, I’m not sure what it is.

You can safely take your grandmother and your six-year-old to this film. And then apologize for it later on.

6.5 IMDB

FLIPPED

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2010

August 10, 2010
HBO
USA
English
87 Minutes
Documentary
Jeffrey Blitz [Spellbound; The Office; Parks And Recreation]

Everyone knows that playing the lottery is a ridiculous way to spend money. The opening stat says that “people” believe there’s a 1 in 6 chance of winning, when the statisticians will tell you that the chances are more like 165 Million to 1. And yet, even with these stats, some people play their state’s lottery every single week. In fact, compounding the irrationality of the enterprise, when the jackpots get up over $100 Million, even more people buy tickets, even though their chances become slimmer the more people who play. I last bought a ticket when some co-workers and I went in on about a hundred tickets when everyone was talking about the huge payoff. I knew there was no chance, but: 1) it was a social thing to do; and 2) just imagine how sucky it would have been had all of them won after I chose not to play. That was something I couldn’t accept.

This film follows a half dozen winners who illustrate the maxim “be careful what you wish for.” They are all a bit wacko, except maybe the couple who lost all their friends and moved from Pennsylvania to a waterfront mansion in Florida after claiming a $110 Million jackpot. They tried to continue life normally, but it just couldn’t happen. Conversations about waking up in the morning for a hated job or about where the cheapest gas was available no longer meant anything to them. Friends would stop talking when they approached. One woman who was a friend of the couple said that every day she wishes it were her and she stays up at night wondering why it wasn’t. They’ve kept some of the thousands of letters they received about business opportunities and donation ideas. Their two teenage kids remember not being allowed to leave the house for the few months afterward for fear of kidnapping.

We should all have such trouble, right?

Another Pennsylvanian winner bought 400 pairs of identical pants when he found a style he liked. He didn’t say no to any offers for business partnerships, he promised his family a million each, he built a hilltop mansion that was so poorly designed that he couldn’t add drywall for fear of its collapse. He bought more than one limo. Then his siblings sent a hitman to kill him and someone sold him a car with all the chassis bolts cut off hoping he’d kill himself in it. He now lives in the storeroom of a supply company owned by a friend. And he appears happier for it.

There’s the heartwarming story of a Vietnamese man who won the Powerball with co-workers and could buy his family in America as well as Vietnam a huge house. He and his wife tear up while describing their escape by rickety boat.

And then there’s a cat man who is clearly not mentally stable, put off dating and friends to help his parents with their business. After they both died, he became a crazy cat man hoarder whose property was about to be condemned so full of coke bottles and cats that you couldn’t move around in it. Down to his last three bucks he bought lotto tickets and won around $6 million. He has a friend who sort of counsels him on what to do and makes all interested women speak to him first. Under his supervision the man moves to a better house, but one year later finds himself at a motel that rents rooms by the hour where he appears to feel more comfortable. It’s $200 a week and his day seems to consist of talking to his motel neighbors and feeding about a dozen cats at a local body shop. Oh yeah, and he spends money on strippers and other back-of-the-alternative-weekly companionship.

Everyone interviewed (even the woman who continues to play but has never won more than $1,000) seems to think that there’s something larger at work than random chance. Even the Berkeley mathematician. He, of all people, should know never to play, but he attributes his success to the state of “theta brain activity” he went into to get glimpses of numbers, which he wrote down in a book and played for 18 months until those numbers hit. Even he seems like a wacko. His wife, having no more use for him after his win, divorced him and took half his winnings.

I’m not sure that viewers will have their behavior changed by watching this film. If you think it’s stupid to play now, you’ll probably come out of the experience with that view solidified.

There is a prank played on a guy (first seen on THE FRESH PRINCE OF BELL-AIR) whereby his friends show the guy a tape of the previous numbers with a new lottery ticket. And then they film it. He jumps all over the room to the degree where a heart attack might not be out of the question. So that guy can tell people that he knows what its like to win the lottery. Though he has no cash to show for it.

7.2 IMDB

LUCKY

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Written by Michael W. Cummins