June 18, 2009
English / Cantonese
87 Minutes — June 9, 1948
Crime / Drama / Film-Noir / Mystery
Orson Welles [Citizen Kane; The Magnificent Ambersons; The Tragedy Of Othello: The Moor Of Venice; Touch Of Evil]
#418 They Shoot Pictures Don’t They Top 1000 Films Of All Time
“Solo Filmschool” movies are those on the big list of the 1000 best films of all time, which the crew over at TSPDT keeps track of and updates from time to time. The current version is from January 2010. My plan is to work my way down the list, watching all of them on DVD (if available), regardless of how slow-moving, or out of date they might appear at first. If a highly-regarded and serious film class is not available where you live, you could do a lot worse than using this list as a jumping off point.
A seaman becomes involved in the maritime wanderings of a crippled lawyer and his homicidal frustrated wife.
One of the lesser-beloved of Welles films. First things first. I am still flabbergasted when I see a 30s or 40s actress who is as beautiful as Rita Hayworth was here. For some reason, I don’t think actresses became sexy and beautiful until Sophia Loren or maybe Anita Ekberg or someone of that era, usually from Europe. Then I catch a glimpse of Grace Kelly and realize that I’m completely wrong. Rita Hayworth was breathtakingly beautiful. And married, though breaking up with, Welles at the time.
Because of its tone and the use of an attractive woman who knows more than we do, we know they’ll be some sort of double-cross, but we don’t know what. After seeing this, I’m still not sure who was doing what to whom and for what reason. But the ride was nice. Welles tries for an Irish accent, which isn’t particularly believable. There is a lawyer and a dicey assistant and a hall of mirrors scene at the end which has been copied dozens of times since. It was filmed on locations as the boat headed from Mexico up to San Francisco Bay.
See it to complete your Welles list or see it to see Rita Hayworth in extreme closeup while singing a nonsense song.
THE LADY FROM SHANGHAITags: 7.8, Crime, Drama, Film-Noir, Mystery, Orson Welles, Top 1000