Archive for the “1967” Category

1967

July 18, 2009
San Jose CA — California Theatre — 70MM
France / Italy
French / English / German
124 Minutes
Comedy
Jacques Tati
#87 They Shoot Pictures Don’t They Top 1000 Films Of All Time

“Solo Filmschool” movies are those on the big list of the 1000 best films of all time, which the crew over at TSPDT keeps track of and updates from time to time. The current version is from January 2010. My plan is to work my way down the list, watching all of them on DVD (if available), regardless of how slow-moving, or out of date they might appear at first. If a highly-regarded and serious film class is not available where you live, you could do a lot worse than using this list as a jumping off point.

I was lucky to catch this in 70MM at the beautiful California Theatre in downtown San Jose. It was my first exposure to Director Jacques Tati, who appeared in the film as “Monsieur Hulot”, but there isn’t really a main character. In fact, there is absolutely no discernible dialog in the whole film. It’s in French and German and English, but you can’t really pick up on what anyone’s saying. It is all background noise. Hulot stumbles from place to place, first to a huge bureaucratic building, then to a fancy dinner club, then to a guy’s apartment, but here’s the thing: we have no idea why he is wherever he is. There is also an American tourist who follows her tour group around from gray building to gray building, never seeing any of the sights that made Paris famous (except in creative window reflections.) The two of them will cross paths, but again, we don’t know why. They’ll end up at a department store, in a traffic circle, and in a splendid lengthy scene in a restaurant on its grand opening day.

The film was made in 1967 by its crazy director who took two years, mortgaged his financial future, and actually built a small city outside of Paris in which to film it. He also never, I mean not once, filmed anyone or anything in close-up. There are no shots, I don’t think, with one actor only. Shots are held for long periods of time and in the background and corners things are happening. There are also cardboard cutouts on buses and in building windows and in the far background whose purpose appears to be populating the frame. At other points, live actors will be frozen in the background and only “come to life” at certain points in the scene. Not sure what that choice was about.

But if ever a film was full of whimsy, and not manufactured whimsy, like CHARLIE AND THE CHOCOLATE FACTORY or THE TRUMAN SHOW (even if you like those movies.) How a story with mumbled far-off dialogue and no plot and no explanation for why people are doing what they’re doing can be so compelling and interesting is beyond me? The entire thing is funny, but there aren’t many laugh-out-loud moments.

I very much liked the experience.

7.9 IMDB

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Written by Michael W. Cummins