Archive for the “Turner Classic Movies” Category

HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB
1964

June 24, 2009
TCM — LiveTweet
UK
English / Russian
93 Minutes — January 29, 1964
Comedy
Stanley Kubrick [Paths Of Glory; Lolita; 2001: A Space Odyssey; A Clockwork Orange; Barry Lyndon; The Shining; Full Metal Jacket; Eyes Wide Shut]
#39 They Shoot Pictures Don’t They Top 1000 Films Of All Time

“Solo Filmschool” movies are those on the big list of the 1000 best films of all time, which the crew over at TSPDT keeps track of and updates from time to time. The current version is from January 2010. My plan is to work my way down the list, watching all of them on DVD (if available), regardless of how slow-moving, or out of date they might appear at first. If a highly-regarded and serious film class is not available where you live, you could do a lot worse than using this list as a jumping off point.

A mad USAF general launches a nuclear attack on Russia, and when recall attempts fail, and retaliation is inevitable, all concerned sit back to await the destruction of the world.

First things first. This was a live-tweet whereby people around the world all watched Turner Classic Movies at the same time (or if that channel wasn’t available, they started their own DVD at the appropriate time). This is not the best way to watch a film you’ve never seen before. You find yourself looking down to read comments and respond rather than letting yourself get into the film you’re discussing. Luckily, this was, perhaps, my fifth viewing of Kubrick’s classic.

It is impossible to watch many of the scenes of politicians and generals arguing and not think of the Bush administration. It must be said, however, that the film is pretty dated. There is exactly one woman in the film, but Peter Sellars plays three roles. There are several hilarious phone calls where the US president speaks to the Russian leader about the “mistake” of sending nuclear weapons towards them.

The sets are Kubrickian in their hugeness. The entire pace and feeling of the film changes when Kubrick goes hand-held for a few scenes of a US base under attack. We’d see this again in Full Metal Jacket.

But this is mostly rightly held up as a farce about a single crazy guy and how much power he has when his subordinates follow orders without thinking them through. A young James Earl Jones plays one of the pilots. George C. Scott is really the reason to watch. He uses all of this macho-ness in the service of playing General Buck Turgidson (in fact most characters have snicker-worthy names).

Everyone should see it, but it was clearly made in 1964.

9.6 Metacritic
8.7 IMDB #28 All Time
**** Halliwells

Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb @ Amazon

DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB

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1947

June 18, 2009
TCM
USA
English / Cantonese
87 Minutes — June 9, 1948
Crime / Drama / Film-Noir / Mystery
Orson Welles [Citizen Kane; The Magnificent Ambersons; The Tragedy Of Othello: The Moor Of Venice; Touch Of Evil]
#418 They Shoot Pictures Don’t They Top 1000 Films Of All Time

“Solo Filmschool” movies are those on the big list of the 1000 best films of all time, which the crew over at TSPDT keeps track of and updates from time to time. The current version is from January 2010. My plan is to work my way down the list, watching all of them on DVD (if available), regardless of how slow-moving, or out of date they might appear at first. If a highly-regarded and serious film class is not available where you live, you could do a lot worse than using this list as a jumping off point.

A seaman becomes involved in the maritime wanderings of a crippled lawyer and his homicidal frustrated wife.

One of the lesser-beloved of Welles films. First things first. I am still flabbergasted when I see a 30s or 40s actress who is as beautiful as Rita Hayworth was here. For some reason, I don’t think actresses became sexy and beautiful until Sophia Loren or maybe Anita Ekberg or someone of that era, usually from Europe. Then I catch a glimpse of Grace Kelly and realize that I’m completely wrong. Rita Hayworth was breathtakingly beautiful. And married, though breaking up with, Welles at the time.

Because of its tone and the use of an attractive woman who knows more than we do, we know they’ll be some sort of double-cross, but we don’t know what. After seeing this, I’m still not sure who was doing what to whom and for what reason. But the ride was nice. Welles tries for an Irish accent, which isn’t particularly believable. There is a lawyer and a dicey assistant and a hall of mirrors scene at the end which has been copied dozens of times since. It was filmed on locations as the boat headed from Mexico up to San Francisco Bay.

See it to complete your Welles list or see it to see Rita Hayworth in extreme closeup while singing a nonsense song.

7.8 IMDB
** Halliwells

The Lady from Shanghai @ Amazon

THE LADY FROM SHANGHAI

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1953

July 24, 2008
TCM
USA
English
118 Minutes — August 5, 1953
Drama / Romance / War
Fred Zinnemann [Oklahoma!]
#878 They Shoot Pictures Don’t They Top 1000 Films Of All Time

Burt Lancaster [The Swimmer; Atlantic City; Local Hero; Field Of Dreams]

Montgomery Clift [A Place In The Sun]

Deborah Kerr [An Affair To Remember]

Donna Reed [It's A Wonderful Life; The Benny Goodman Story]

Frank Sinatra [Guys And Dolls; The Manchurian Candidate]

Life in a Honolulu barracks at the time of Pearl Harbor.

OW: Picture, Director Fred Zinnemann, Screenplay, Supporting Actor Frank Sinatra, Supporting Actress Donna Reed, Cinematography, Editor
ON: Actor Burt Lancaster, Actor Montgomery Clift, Actress Deborah Kerr

*** Halliwell’s
7.9 IMDB

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1960

July 19, 2008
TCM
USA
English
125 Minutes
Romance / Comedy / Drama
Billy Wilder [The Lost Weekend; Sunset Blvd.; Sabrina; The Spirit Of St. Louis; Some Like It Hot]
#55 They Shoot Pictures Don’t They Top 1000 Films Of All Time

A lonely, ambitious clerk rents out his apartment to philandering executives and finds that one of them is after his own girl.

OW: Picture, Director, Writer
ON: Cinematography, AC Jack Lemmon, AC Shirley MacLaine, SAC Jack Kruschen, Art, Editing

*** Halliwell’s
8.4 IMDB #96

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Written by Michael W. Cummins