March 6, 2010
Though I’m pretty sure I’ve never seen Natasha Richardson look-a-like, Paprika Steen before, I can assure you that I’ll try to catch her in any future projects she might be involved in. She is just that good. She plays an alcoholic actress in Applause, and judging from the way she’s treated by others, a quite famous one. In a bit of too-meta storytelling, Thea is playing an alcoholic in a stage play each evening, while trying to kick the habit during daylight hours. She has also driven away what appears to be a pretty great husband and is trying to reconnect with their two young boys. But as a diva and a boozer, she isn’t exactly sure how to go about winning their trust again. Awkward hugs and unsuccessful trips to Toys R Us are just a few of the problems Thea encounters on her way to becoming a more normal-acting mother.
She attends AA meetings, but insists on visiting her neighborhood bar, even if she only enjoys a club soda and the flirtations of the men there.
The camera work is shaky and close-up. We seem to peer into her eyes, or maybe they just do a great job of catching ours. Thea is at a specific age in an actress’ life. Still beautiful, but with all of life’s years written on her face. She is mean to most of those around her, but Steen never lets us forget the humanity behind the rudeness.
There is also a scene towards the end which will give you the heaviest sense of dread.
A fantastic character study.
The Cinequest Program Said:
“Even though you can’t tell, I am a good mother.”
The reason for the emotional impact achieved in Applause can be summed up in two words: Paprika Steen. One of the world’s most vibrant actresses (having starred in such films as Adam’s Apples, The Substitute and Open Hearts), Steen has the innate ability to make us laugh, cry and, yes, even to fear her with just a glance.
Steen’s tour-de-force performance as Thea in Martin Pieter Zandvliet’s debut film is, in short, fearless. A celebrated actress, Thea has been battling alcoholism for years—an addiction that led to her divorce and the loss of custody of her two sons. Pampered at work and lacking even the most basic social skills, Thea does not suffer fools gladly and fills the lives of those around her with a caustic, venomous sarcasm. But Thea wants her children back desperately and pleads with her ex-husband to let her spend time with them. But how far is she willing to go?
APPLAUSETags: 7.2, Danish, Drama, Martin Zandvliet