February 27, 2010
Norwegian / Polish / English
Terrific film about the nature of fate. And love, of course. Axel is an advertising executive in his 20s with a completely dicky demeanor. He is Asian, but was adopted at a young age by a Norwegian couple. He treats women poorly, is reckless and handsome and snobby. His adoptive parents live in a large, expensive house, and it’s clear he’s the most important thing to him. His family hires a new maid, Maria, a sexy woman from Poland, whose own son lives with her mother back in her home country. They are immediately attracted to each other, though when not having sex, he treats her as if she were his family’s maid–which, of course, she is. Maria works a second job washing dishes at an Asian restaurant in a not-so-great part of town. A co-worker, Anne, is quiet and thoughtful and was also adopted by a Norwegian, though her mother has a blue collar job working as a coat check woman in a hotel lounge. Rounding out the cast is a blond farm boy named Per, just back from the Gulf War, after being photographed brandishing a rifle in the face of a small Afghan boy. The publicity from the photo resulted in his being discharged from the army, and sent back home where he is anxious to begin his college studies. His first apartment is across the street from the restaurant. The four will become two couples.
There are several things going on in this film and not all of those things work. The film opens with night vision shots of a war zone, but Per’s military story is by far the least compelling one. He has an embedded photo-journalist (a hot one, to boot) follow him around as he goes about his army business. A car speeds through a roadblock, he kills the driver and screams at the kids in the back seat to get out. A photo is taken and he becomes a scapegoat. He has trouble sleeping afterward, but is polite and smart and ready for college.
The more successful theme is one of class distinction. Axel is spoiled and wealthy and handsome and entitled and works in a high-priced ad agency. Anne is beautiful and sweet and is a waitress at a local restaurant. Maria is in Norway on a worker’s permit, lives in a different country than her son, is both a maid and a dishwasher. That’s our hierarchy. But what caused them to reach the class level they’ve reached? Maria came to Norway looking for a better life. Axel and Anne were adopted as children from their homeland by two vastly different families. One a single mother working in a hotel, the other a well-to-do couple who throw lavish parties, support liberal causes, and think nothing of their mid-20s son coming home to live after a work suspension (for inappropriate language towards a female, of course).
Add to this the relationship that Maria and Axel enter into–she is employed by his family, how can any love affair be equal? When he’s mean to her, his barbs are always aiming towards her domestic servant status.
What if the situation were different? The girl was adopted by the wealthy couple and given all the advantages that Axel now enjoys.
I must say that as someone who was adopted as an infant, this sort of what if discussion is never far from my mind. What if the family before the one I ended up with had decided to take me? How would everything have been different–or the same? Biological children probably don’t go through this, but we “chosen babies” do. So this film hit quite close to home.
Beyond the plot, the film is populated by good looking people of various backgrounds. Axel walks around completely nude–and why shouldn’t he with that body. Anne is striking in her poise and posture and quietness. She has a first kiss that will make you swoon. Maria is louder and demonstrative and sexy. And Per is buff and handsome and as Norwegian as apple pie. Each does a fabulous job with their characters. The music and photography is great.
If you forget about an incredible coincidence for a moment and just let it wash over you, you’ll be in for a great film experience.
Coincidence aside, fabulous story of siblings, adopted from Asia to Norway…the son is an affluent advertising creative type who is just an asshole to everyone he meets…his adopted family is beyond wealthy…clearly he’s had everything he’s ever wanted…we see him as the film opens paying his buddy to sleep with his girlfriend, thus proving her unworthiness–it’s a loyalty test she fails…sent home on a semi-suspension (for inappropriate language), Axel meets his family’s new maid, a Polish hottie who he treats like trash…Maria also works as a dishwasher at the Vietnamese restaurant where her best friend Anne works. Anne was also adopted from Vietnam, but her mother is a coat checker at a posh hotel…An ex-soldier, who becomes infamous for a photo of him aiming a machine gun in an Afghan boy’s face, moves into Maria’s low-rent building to being his college studies…the soldier finds comfort in the restaurant and the advertising exec finds comfort in the maid…there are some interesting things being said about the luck of life’s draw…both Vietnamese young people seem smart, one was adopted by affluent parents, the other by a working-class woman…how does this adoption lottery affect those involved…the cast is magnificent, and the Norway we see is less fancy, clean, and healthy than divided, racist, and full of class divisions…not sure if the soldier’s story is as compelling as the others…the scenes of war seem a bit out of place…they are good, but the vibe is different…the film is all about how big events can affect everything that follows, whether it be an international adoption, a child left in another country, or an act during wartime…
UPPERDOGTags: 7.1, Comedy, Drama, Norwegian, Polish, Sara Johnsen