Posts Tagged “Polish”

2010

March 7, 2010
Cinequest 20
USA / Poland
Polish / English
83 Minutes
Documentary
Steven Meyer

Is there really another worthwhile documentary to be made about the Holocaust? This brief, interesting documentary says that there is. This one follows survivors of a less well-known concentration camp called Maidanek, where participants of the Warsaw Uprising were sent. This one lacked a railroad track so the prisoners were marched from the town’s station into the front gates of the camp after traveling for days with no food or water. This camp was also unique in that prisoners were given time in a field which was in between two barracks. Another difference was that it seems as if the Nazi guards made no secret of the ultimate fate of the inmates. At other camps, prisoners on their way to the showers were told to neatly arrange their personal items so that they could find them when the shower concluded. No such charade went on at this camp. Knowing that all the gold and money they had brought to bribe the guards wouldn’t secure their freedom, the prisoners then began burying these items in the field to keep them out of the hands of the Nazis.

The film is a mixture of survivor stories and a methodical archeological dig, as well as a story about the red tape of modern Poland. It’s no shock when items are found (what sort of documentary would it have been if these stories of buried treasure proved unfounded), but hearing about a couple’s buried wedding rings or an entire family’s supply of gold is much different than seeing these items being unearthed. The items are cataloged and the survivors get a chance to hold them, struggling to see tiny inscriptions in some of them.

A post-script tells us that less than 1% of the area has been excavated.

It has become no easier over the years to watch an elderly survivor of a concentration camp walk back through the gates of the camp that killed their entire family. Sobs and memories flood back and we can somehow see their pain. Most were the only one of their large extended families to survive World War II.

Not particularly uplifting, but worth seeing.

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The Cinequest Program Said:

When facing even the most dire of situations, the strength of the human spirit prevails.

In 1943, thousands of survivors of the Warsaw ghetto uprising were taken and held in the Maidanek death camp. There, a revolution of a different kind would occur. Realizing they were being selected for death, the inmates, in an act of defiance and bravery, secretly buried their personal possessions so that the Nazis could not take and use them to support their war effort. Sixty-three years later, an international team of survivors and experts from around the world convened for an archeological expedition to unearth the hidden treasures.

Director Steven Meyer’s inspirational Buried Prayers is a beautiful homage to the human spirit and our necessity to survive and fight against those who attempt to take our humanity away from us. And what they discover lying six inches beneath the long-untouched earth are not just relics, but incredibly powerful stories of hope.

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BURIED PRAYERS

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2009

February 27, 2010
Cinequest 20
Norway
Norwegian / Polish / English
100 Minutes
Drama
Sara Johnsen

Terrific film about the nature of fate. And love, of course. Axel is an advertising executive in his 20s with a completely dicky demeanor. He is Asian, but was adopted at a young age by a Norwegian couple. He treats women poorly, is reckless and handsome and snobby. His adoptive parents live in a large, expensive house, and it’s clear he’s the most important thing to him. His family hires a new maid, Maria, a sexy woman from Poland, whose own son lives with her mother back in her home country. They are immediately attracted to each other, though when not having sex, he treats her as if she were his family’s maid–which, of course, she is. Maria works a second job washing dishes at an Asian restaurant in a not-so-great part of town. A co-worker, Anne, is quiet and thoughtful and was also adopted by a Norwegian, though her mother has a blue collar job working as a coat check woman in a hotel lounge. Rounding out the cast is a blond farm boy named Per, just back from the Gulf War, after being photographed brandishing a rifle in the face of a small Afghan boy. The publicity from the photo resulted in his being discharged from the army, and sent back home where he is anxious to begin his college studies. His first apartment is across the street from the restaurant. The four will become two couples.

There are several things going on in this film and not all of those things work. The film opens with night vision shots of a war zone, but Per’s military story is by far the least compelling one. He has an embedded photo-journalist (a hot one, to boot) follow him around as he goes about his army business. A car speeds through a roadblock, he kills the driver and screams at the kids in the back seat to get out. A photo is taken and he becomes a scapegoat. He has trouble sleeping afterward, but is polite and smart and ready for college.

The more successful theme is one of class distinction. Axel is spoiled and wealthy and handsome and entitled and works in a high-priced ad agency. Anne is beautiful and sweet and is a waitress at a local restaurant. Maria is in Norway on a worker’s permit, lives in a different country than her son, is both a maid and a dishwasher. That’s our hierarchy. But what caused them to reach the class level they’ve reached? Maria came to Norway looking for a better life. Axel and Anne were adopted as children from their homeland by two vastly different families. One a single mother working in a hotel, the other a well-to-do couple who throw lavish parties, support liberal causes, and think nothing of their mid-20s son coming home to live after a work suspension (for inappropriate language towards a female, of course).

Add to this the relationship that Maria and Axel enter into–she is employed by his family, how can any love affair be equal? When he’s mean to her, his barbs are always aiming towards her domestic servant status.

What if the situation were different? The girl was adopted by the wealthy couple and given all the advantages that Axel now enjoys.

I must say that as someone who was adopted as an infant, this sort of what if discussion is never far from my mind. What if the family before the one I ended up with had decided to take me? How would everything have been different–or the same? Biological children probably don’t go through this, but we “chosen babies” do. So this film hit quite close to home.

Beyond the plot, the film is populated by good looking people of various backgrounds. Axel walks around completely nude–and why shouldn’t he with that body. Anne is striking in her poise and posture and quietness. She has a first kiss that will make you swoon. Maria is louder and demonstrative and sexy. And Per is buff and handsome and as Norwegian as apple pie. Each does a fabulous job with their characters. The music and photography is great.

If you forget about an incredible coincidence for a moment and just let it wash over you, you’ll be in for a great film experience.

Notes:
Coincidence aside, fabulous story of siblings, adopted from Asia to Norway…the son is an affluent advertising creative type who is just an asshole to everyone he meets…his adopted family is beyond wealthy…clearly he’s had everything he’s ever wanted…we see him as the film opens paying his buddy to sleep with his girlfriend, thus proving her unworthiness–it’s a loyalty test she fails…sent home on a semi-suspension (for inappropriate language), Axel meets his family’s new maid, a Polish hottie who he treats like trash…Maria also works as a dishwasher at the Vietnamese restaurant where her best friend Anne works. Anne was also adopted from Vietnam, but her mother is a coat checker at a posh hotel…An ex-soldier, who becomes infamous for a photo of him aiming a machine gun in an Afghan boy’s face, moves into Maria’s low-rent building to being his college studies…the soldier finds comfort in the restaurant and the advertising exec finds comfort in the maid…there are some interesting things being said about the luck of life’s draw…both Vietnamese young people seem smart, one was adopted by affluent parents, the other by a working-class woman…how does this adoption lottery affect those involved…the cast is magnificent, and the Norway we see is less fancy, clean, and healthy than divided, racist, and full of class divisions…not sure if the soldier’s story is as compelling as the others…the scenes of war seem a bit out of place…they are good, but the vibe is different…the film is all about how big events can affect everything that follows, whether it be an international adoption, a child left in another country, or an act during wartime…

7.1 IMDB

UPPERDOG

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Written by Michael W. Cummins