June 21, 2009
English / Portuguese / Spanish
112 Minutes — June 13, 2008
Action / Sci-Fi / Thriller
Sometimes you just want to turn on the dish and sit back and watch something. Back in the 70s, whenever I read comic books, I was a Marvel guy and not a DC guy. Those guys were snobby, what with their Superman and Batman. My two favorites were Spiderman and Hulk. I like the whole “big guy misunderstood and forced to turn green due to others’ stupidity” of The Incredible Hulk. I’m sure I’ve seen every episode of the Bill Bixby series.
But here’s the thing: CGI has not risen to a level whereby a normal-sized man (Ed Norton) can change into a guy 30 feet tall and still make it believable. Say what you will about Lou Ferrigno in green makeup and torn pants, but at least he was a human being and so was Bixby. Once Norton gets the green eyes, they at first try to hide Hulk, but then we see him and its a cartoon that runs around fast with swooping cameras and quick editing which tries to confuse us enough so that we’re not really sure what we’re seeing.
The plot isn’t bad. I didn’t see the Ang Lee version, so I don’t know if this is a continuation or not. Banner is living in Brazil, hiding from some kind of governmental authority led by William Hurt. He sends his blood into an unseen scientist who tries to get him to try different experiments in the hopes that it will cure him. He is discovered and when the special ops team Hurt assembles proves to be no match for a 30 FOOT MONSTER HUMAN, he calls in Tim Roth, for some reason. Roth volunteers to be experimented on and this leads to the number one plot device in comic book history: the evil twin. When Hulk and Bad Hulk fight, I just wanted it to be over. It was all just too loud and ridiculous.
Norton tries the best he can to bring some kind of intelligence to the proceedings but he’s no match for helicopter gunships and CGI where no human actors are required.
Incredible Hulk @ Amazon
THE INCREDIBLE HULK
, Louise Leterrier
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March 6, 2009
Takes place in July of 2001 which is a way of explaining the dial-up modem Camila uses. Girl is more angsty and more naked because it takes place in Brazil. Her blog is called CAMILA JAM. The official TMI film of all time. Camila is hot, lives internally, and is unlucky in love–every interlude, every man she fancies becomes some life-long love affair which no other human being has ever experienced. The men, it goes without saying, don’t see it that way. But her internal life, which is published on her blog, CAMILA JAM, writes a much better story than her real life recognizes.
The tone is set early in the film when a man angrily packs up his girlfriend’s stuff in boxes while she sits naked on a chair crying. We then get a rather physical fight as she makes no attempt to cover herself up–we’re not in an American multiplex anymore. As the film progresses, we will see every inch of Camila, she’ll vomit after a night of drinking, she’ll bleed, she’ll fall down some stairs (quite scary actually), we see every tattoo and every bruise, and she wants us to see inside her soul, which is easier said than done, especially in a movie. There are only so many ways to show a character typing on a keyboard–the clickety clack of the keys on a screen, voice over while she sits in front of a monitor. We see a combination of every way a filmmaker has tried to show computer work before and somehow it isn’t boring. Especially because Camila is just moments away from doing something ridiculous or dangerous or, worst case, she’ll continue writing in the nude, and who isn’t in favor of that?
Had this been a moderately attractive indie-girl from the US, there would have been no reason to watch. Chloe Sevigny or Zoe Deschanel, etc. It’s in a foreign language, the people look exotic, Brazil has a certain moral looseness, so we hang with it as if atching the natural habitat of an exotic creature we’ll never have the money to visit.
7.5 IMDB (58 Votes)
, Murilo Salles
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